musical concert

So, I turned 40 in 2011! I wasn’t alone in this, among the luminaries joining me were Ewan McGregor, Mark Wahlberg, Winona Ryder, Mariah Carey and Sacha Baron Cohen, not that it gave many any great comfort in the face of reaching middle age! Still, as the lavish 80th birthday bash for Broadway composer Stephen Sondheim revealed he commenced a decade of his best work when he turned 40, starting with the groundbreaking concept musical Company in 1970 which surprised audiences looking for escapism by holding a mirror up to them in a series of vignettes about Bobby, a single New Yorker unable to commit to a steady relationship.

Company was followed by Follies in 1971 about a fading Broadway theatre scheduled for demolition allowing the resident troupe to look back at their lives. Then came A Little Night Music in 1973 the show, that features Sondheim’s most recognised song Send in the Clowns, is partially based on Mozart’s Eine kleine Nachtmusik and Ingmar Bergman’s film Smiles of a Summer Night and explores the romantic lives of several couples over the course of one weekend. The aloof and esoteric Pacific Overtures opened in 1976, focusing on the gradual westernisation of Japan it seemed an obscure subject for a Broadway show, presented in Kabuki style it closed in under 200 performances.

Sondheim ended the 1970s on a high note with what many consider his masterpiece Sweeney Todd: The Demon Barber of Fleet Street, a macabre musical thriller in the Grand Guignol tradition, the initial Broadway production ran for nearly 600 performances and featured Len Cariou as Sweeney Todd and Angela Lansbury as Mrs. Lovett. The show has had numerous revivals and benefitted from Tim Burton’s authentic feature film adaptation starring Johnny Depp and Helena Bonham Carter. The productions from this challenging yet inspirational decade were directed by Harold Prince and his work with Sondheim usually produced a Marmitesque response, audiences were divided between those that loved the brash deconstructionism of cosy Broadway and those that resisted it preferring a less disquieting night out at the theatre.

I was exposed to the world of musical theatre and classical composition one Christmas in my teens when the BBC screened Leonard Bernstein’s Harvard Lectures; a natural communicator and infectious teacher Bernstein covered the history of western musical theory at lightning speed and I was instantly hooked. I wanted to listen to anything that had his name on it and this brought me to West Side Story and consequently Stephen Sondheim who cut his teeth as a lyricist on that show in 1957. I read up on Sondheim and did try to get into Sweeney Todd but my ears were not ready, to me at the time it seemed too dissonant, which I find astonishing now as melodies like My Friends, Johanna and Pretty Women sound totally irresistible to me and I wonder how the teenaged me failed to be wooed by them; is this a symptom of turning 40?!

To celebrate his 80th birthday at New York’s Lincoln Centre a host of Broadway stars gathered including Elaine Stritch, Patti LuPone, Bernadette Peters, Mandy Patinkin and Joanna Gleason. The evening was recorded for the Public Broadcasting Service network and released on region free Blu-ray by Image Entertainment. As far as I am aware this has not been screened on UK television yet so this home release is very welcome. The Master of Ceremonies for the evening is Frasier’s Niles, David Hyde Pierce and not only does he provide witty repartee and nuggets of note from Sondheim’s illustrious career, he also manages to sing Beautiful Girls from Follies in a dozen different languages! All of the Hal Prince shows are well represented here; including Sweeney Todd which features two of Broadway’s Sweeneys who spar wonderfully with each other.

One unforgettable highlight of the show is a song-cycle featuring Sondheim’s various leading ladies in stunning red dresses, apart from Elaine Stritch, who sports red slacks and a peaked cap, this allows for a bit of barbed banter from Patti LuPone when she sings Ladies Who Lunch the song Stritch originated in Company, LuPone emphasises the line “Does anyone still wear a hat?” and gives Stritch a sly look, but the 85 year old trooper is undeterred and gives a marvellous rendition of I’m Still Here a song from Follies that she’s made her own since her Tony award winning one-woman show At Liberty. The show ends with the entire cast singing ‘Happy Birthday’ to Sondheim and he takes to the stage, unfortunately he doesn’t make a speech but he is clearly overwhelmed by the occasion.

The Blu-ray release is pretty basic, there are no extras to speak of, but the picture quality is faultless in 1080p and the New York Philharmonic Orchestra conducted by long-time Sondheim collaborator Paul Gemignani really shine on the crystal clear DTS-HD soundtrack. I thoroughly recommend this release for any fan of musical theatre, even those unfamiliar with the shows will be surprised by the accessibility of the songs selected here; all are eclectic gems outstandingly performed by artistes at the top of their game who clearly owe a debt of gratitude to Stephen Sondheim.