Five Signs of Growth on Sly Withers' New Album 'Overgrown'

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Sly Withers‘ Overgrown is Audio Feeds’ Album of the 7 days. The album is out now through Dew Procedure/UMA.

Perth rock band Sly Withers have launched their 3rd album, Overgrown. The successor to 2021’s Gardens was manufactured by Dave “Parko” Parkin (Spacey Jane) and attributes band associates Jono Mata, Sam Blitvich, Joel Neubecker and Shea Moriarty’s most developed-up songwriting to date. Here, Sly Withers crack down the approaches in which the new album exhibits progress.

Sly Withers: Overgrown

1. A new crafting course of action

Sly Withers: Coming into demoing and composing Overgrown, we realised that we wanted to refine the creating system a small bit to make every thing do the job as optimally as doable for every person in the band independently. Lengthy story shorter, we made a decision that just before any song would enter the jam space, Jono and Sam would demo it, operating on it collectively a honest bit in the process.

We went shopping and purchased some mics, monitors and an Ikea desk and expended the summer time crafting and demoing as generally as achievable in a spare space at Jono’s put. Then, immediately after everyone experienced a prospect to hear to and familiarise themselves with the demos, we took all those tunes to the boys in the jam space and would combine the whole unit’s strategies into the tracks. It labored genuinely very well and we feel it’s possibly heading to be the common for us going ahead.

2. Generation procedure

Sly Withers: Overgrown is the initially record we’ve created where we’ve been ready to set aside a chunk of time, go into the studio in excess of a lengthy interval and crack apart the songs to superior refine them. Out of requirement – budgets, timelines – we’d in no way been capable to do this just before, and it was a real handle to go into Blackbird with producer Dave Parkin and make something incredibly regarded and deliberate.

A person of the most popular concerns Parko would ask us and himself was, “What does the report want?” It was so awesome to let ourselves the time to be ready to contemplate that, somewhat than just refining the particular person tunes in the jam room for a pair of months by ourselves in advance of likely in and recording them as they were being.

3. Prettier aspirations

Sly Withers: Parko served us seriously push our seem forward on this record, incorporating prettier sounding factors and generating what we experience is a tremendous lush sounding history. Acoustic guitars performed a significant position here – most of the album has acoustic chords layered beneath it, which provides the history an aspect which is both stunning and percussive.

A reference level for the percussive section of this vibe was the Green Working day album Warning. There’s so substantially cool acoustic guitar on that record, definitely an underrated outing from that band. There is also a little bit of synth and piano peppered during Overgrown but the most interesting new addition to us was the strings.

4. The strings

Sly Withers: To make this album a little bit prettier, we resolved we wished to go entire violin manner. So, we questioned our pal Clancy Davidson – who we toured with a lot by her get the job done in Noah Dillon’s band about the time of Overgrown‘s writing and recording – to arrive in and assistance us lay down some strings on a handful of tracks (‘Sundays’, ‘Don’t Wanna Leave’ and ‘Tongue’).

The working day we did strings was one of the funnest of the full course of action and we are so stoked with the awesome perform that Clancy did. There was a large amount of enjoyment to be had encouraging arrange these areas as none of us had ever written string sections ahead of at all.

5. The most tracks we’ve ever unveiled at at the time

Sly Withers: Overgrown has 14 tracks and operates for in excess of 46 minutes. We never ever intended for that to be the closing products, but when it arrived time to pick what would make it on to the album, we felt like just about every track had a area and contributed to the history in some way.

Beforehand, we’d generally been careful of exceeding 42 minutes because of to some vinyl related stuff, but we determined, “Nah, fuck it,” and questioned our label properly if we could set out all 14 tracks. They were being like, “Sure, why not,” so we were being like, “Cool, many thanks, we’ll do that then.” And then they had been like, “Cool, wanting ahead to it,” and then we had been like, “Us way too!”

It feels like we have achieved a genuine diverse sounding file many thanks to not reducing everything. Each and every music has a purpose for being on there and we’re seriously happy of what we’ve accomplished with it.